Nonhuman primates prefer slow tempos but dislike music overall.
نویسندگان
چکیده
Human adults generally find fast tempos more arousing than slow tempos, with tempo frequently manipulated in music to alter tension and emotion. We used a previously published method [McDermott, J., & Hauser, M. (2004). Are consonant intervals music to their ears? Spontaneous acoustic preferences in a nonhuman primate. Cognition, 94(2), B11-B21] to test cotton-top tamarins and common marmosets, two new-World primates, for their spontaneous responses to stimuli that varied systematically with respect to tempo. Across several experiments, we found that both tamarins and marmosets preferred slow tempos to fast. It is possible that the observed preferences were due to arousal, and that this effect is homologous to the human response to tempo. In other respects, however, these two monkey species showed striking differences compared to humans. Specifically, when presented with a choice between slow tempo musical stimuli, including lullabies, and silence, tamarins and marmosets preferred silence whereas humans, when similarly tested, preferred music. Thus despite the possibility of homologous mechanisms for tempo perception in human and nonhuman primates, there appear to be motivational ties to music that are uniquely human.
منابع مشابه
Chimpanzees prefer African and Indian music over silence.
[Correction Notice: An Erratum for this article was reported in Vol 40(4) of Journal of Experimental Psychology: Animal Learning and Cognition (see record 2014-35305-001). For the article, the below files were used to create the audio used in this study. The original West African akan and North Indian raga pieces were used in their entirety and the Japanese taiko piece was used from the 0:19 se...
متن کاملCan Music Exposure Induce Preferences For Consonance In Animals? Evidence From Pet Dogs
The origins and adaptive significance of music, long an elusive target, are now active topics of empirical study. I argue that empirical results can constrain discussions of the adaptive significance of music by testing whether various musical traits are innate, uniquely human, and specific to music. This thesis extends the body of empirical research along these lines, with a focus on comparati...
متن کاملTesting meter, rhythm, and tempo discriminations in pigeons.
Rhythmic grouping and discrimination is fundamental to music. When compared to the perception of pitch, rhythmic abilities in animals have received scant attention until recently. In this experiment, four pigeons were tested with three types of auditory rhythmic discriminations to investigate their processing of this aspect of sound and music. Two experiments examined a meter discrimination in ...
متن کاملEmotional communication in monkeys: Music to their ears?
The question of whether music is uniquely human is controversial with equivocal results on whether nonhuman animals can appreciate music. We argue that, although human music is unique to our species, the emotional aspects of music have a long evolutionary history. We fi rst present a theory of the emotional origins of music and then show that music/emotional features can be seen in the vocaliza...
متن کاملNonhuman primate vocalizations support categorization in very young human infants.
Language is a signature of our species and our primary conduit for conveying the contents of our minds. The power of language derives not only from the exquisite detail of the signal itself but also from its intricate link to human cognition. To acquire a language, infants must identify which signals are part of their language and discover how these signals are linked to meaning. At birth, infa...
متن کاملذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید
ثبت ناماگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید
ورودعنوان ژورنال:
- Cognition
دوره 104 3 شماره
صفحات -
تاریخ انتشار 2007